Pick the angle
Eleven named camera angles — six exterior, four interior, one material detail. F frames whatever you've selected.
Use case · Show it off
One design.Eleven angles.
Cinematic stills and walkthroughs, graded in the same tab as the walls they show. An 11-pass render stack, seven film looks, four quality tiers up to ultra at 2× supersampling — and eleven named camera angles to shoot the house from: six exterior, four interior, one material detail.
The cinematic stack
Shoot it in four moves.
Choose the look
Seven film looks: natural, cinematic, golden, overcast, dusk, bleach — plus neutral. Saved with the design.
Set the quality
Four render tiers — low, medium, high, ultra (2× supersampled). The 60 FPS gate holds at medium under a stress design.
Press play
The reveal: foundation, walls sweeping round, windows snapping in, furniture landing, the roof craned on last. Space plays the day.
The stack that grades for you
Eleven passes. Zero round-trips.
The passes, in order
GTAO, god rays, anamorphic streaks, HDR bloom, motion blur, hexagonal depth-of-field with autofocus, ACES tone mapping, a 3D LUT film grade, halation, vignette, grain, chromatic aberration and sharpening — then SMAA antialiasing.
Glass that behaves
Screen-space reflections on glazing — the window answers the sky it actually faces.
Shadows fitted to the site
A 4096² PCF-soft shadow map fitted to the plot — about 2 cm per texel over a 45 m radius.
No render farm
The stack runs in the tab, at the tier you pick. The still you grade is the design you can still edit.
Eleven passes. Zero round-trips.
The grade ships with the geometry.
Change a wall and the film look still holds — the stack re-renders the design you just edited, in the same tab, at the tier you chose.
Open the designerWhy the walkthrough looks like film.
- Eleven-pass cinematic stack — graded frames straight from the editor tab
- Seven film looks — natural, cinematic, golden, overcast, dusk, bleach, neutral — saved with the design
- Four quality tiers: low / medium / high / ultra (2× supersampled)
- Hexagonal depth-of-field with autofocus — the bokeh finds its own subject
- ACES tone mapping plus a 3D LUT film grade on every frame
- Halation, vignette, grain, chromatic aberration and sharpening — the last mile of the grade, in the stack
- Performance gate: 60 FPS under 300 draw calls — measured at 286 draws and a 28 MB heap on Apple M4, medium quality, full 11-pass stack
Grade it like film.
Edit it like walls.
The cinematic stack is part of the editor. No exports, no render queue.